Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.
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No part of this website may be reproduced entirely without arsilsa written permission. The music in this recording is based on the autograph of the work and is described as a “reconstruction of the original version” that emphasizes the first arias written rather than the composer’s later changes and additions for the performances. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’.
Simile arias appear in abundance, such as Arsilda’s Act 2, sc. Many of the arias employ striking instrumentation to help convey the sense of asilda text. The translation of the libretto and notes stand up, ar. As it turns out, everything went smoothly. On a visit to Pontus, Tamese and Barzane fall in love with Arsilda, she chooses Tamese, and the two men fall out.
Printer Version Send to a Friend. Mary Macklem University of Central Florida.
Arsilda, regina di Ponto – Wikipedia
Fipple-flutes are used for pastoral settings, for example, while horns are used for the hunting scenes. Moreover, its story hinges on concealed identities.
Opera seria arsi,da Theatrical Works ; Operas ; For voices, orchestra ; Scores featuring the voice ; Scores arsila the orchestra ; For voices with orchestra ; Librettos ; Writings ; Italian language.
Founded in under the direction of Sardelli, the group has made several recordings with Amadeus, cpo and Tactus, including the first complete recording of Vivaldi’s cantatas. Lucia Sciannimanico and Joseph Cornwell stand out in a uniformly good cast.
Superlative Lohengrin from Bayreuth, The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age.
All arslda the singers on this recording convey the individual characterizations with knowledgeable awareness of performance practice and attention to phrasing, dynamics, and ornamentation. A Florence Version of incomplete B Version of ?
Retrieved from ” http: The all-time greats Read about the artists who changed the world of classical arsildaa. The true Tamese, meanwhile, is disguised as the palace gardener, and both Arsilda and Lisea have an unexplained attraction to him.
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Vivaldi Arsilda Regina di Ponto, RV700
Sardelli is working on a critical edition of Arsilda for Vjvaldi Antonio Vivaldi; in his authored excerpt in the liner notes, he points out his intention to implement both a musical and a musicological approach towards Vivaldi’s operas. Beyond Gilbert and Sullivan: Her own aria at the end of Act 1 features two obbligato harpsichords, to charming effect.
Overall, this is a fine achievement; but how our traveller longs for the oasis of a love duet!
Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams. They may not be public domain elsewhere. Reliant on a pair of twins for wrsilda main intrigue–one male and one female–the story opens with Lisea, disguised as her brother Tamese and posing as King, and Arsilda, engaged to be married to “Tamese.
Vivaldi: Arsilda, Regina Di Ponto | Palace of Versailles
The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate vivxldi younger music lovers, but they sure do for folks my age. In early OctoberGioachino Rossini summoned the librettist Gaetano Rossi to a villa owned by his wife, the soprano Isabella Colbran in Castenaso, just outside Bologna.
Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Arsilda employs several such scenarios, including a givaldi that takes place in a verdant forest and a dungeon scene. The playing is light and airy and the speeds are well judged.
Vivaldi responded to this farrago with a succession of reasonably concise arias. From SOMM recordings, specialists vivaldo British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society. Proof that new work, like good wine, needs to settle and mature to reveal its riches. While Vivaldi’s instrumental music has been widely known for some time, only in recent decades have his operas agsilda such attention.
Gramophone products and those of specially selected partners from the world of music. Modo Antiquo’s contibution is a quality recording, done on period instruments with highly competent vvaldi. There is, therefore, a relative dearth of recordings of his operas, and any contribution is appreciated. This Harold en Italieop.