El Rosario de Eros (Spanish Edition) [Delmira Agustini] on *FREE* shipping on qualifying offers. El Rosario de Eros By Delmira Agustini. Delmira Agustini (October 24, – July 6, ), an Uruguayan poet, was a Latin American Eros, god of love, symbolizes eroticism and is the inspiration to Agustini’s poems about carnal pleasures. Los cálices vacíos, pórtico de Rubén Darío; Obras completas (“Complete Works”): Volume 1, El rosario de Eros; . Title, El Rosario de Eros. Author, Delmira Agustini. Publisher, El Cid Editor Incorporated, ISBN, , Length, 48 pages.

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Agustini was blue eyed, with light skin and a slender figure. The daughter of a distinguished family, Agustini had all that she needed and was at the same time indulged.

Agustini’s writing style is rpsario classified in the first phase of modernismwith themes based on fantasy and exotic subjects. Translated by Pokhrel, Suman First ed.

Media at Wikimedia Commons. Home Humanities Encyclopedias almanacs transcripts and maps Agustini, Delmira — Want to Read Currently Reading Read. Ylva marked it as to-read Dec 27, Agustini, Delmira — Delmira Agustini b. She married Enrique Job Reyes on August 14, but left him a month later. She died in her house in MontevideoUruguay. To see what your friends thought of this book, please sign up.

Because each style has its own formatting nuances that evolve over time and not all information is aagustini for every reference entry or article, Encyclopedia. The language and imagery of her dw was acclaimed for its erotic nature, an important foundational feature in Spanish American feminine poetics. By using this site, you agree to the Terms of Use and Privacy Policy.


El Rosaario de Eros by Delmira Agustini. Trivia About Delmia Rosario de Eros. From Wikipedia, the free encyclopedia. Eros, god of love, symbolizes eroticism and is the inspiration to Agustini’s poems about carnal pleasures. See also Reissig, Julio Herrera y.

Fell in love with “Mis amores”.

Views Read Edit View history. In she married Enrique Job Reyes, a common man with no intellectual interests, with whom she had had a long and formal relationship. Eros is the protagonist in many of Agustini’s literary works.

The Obras completaspublished posthumously inincludes unpublished poems possibly belonging to a projected volume titled Los astros del abismo The Stars of the Abysswhich included a group of poems titled “El rosario de Eros. She wrote for the magazine La Alborada The Dawn.

Some might have testified that she looked like an innocent angel. Retrieved December 29, from Encyclopedia. Delmira Agustini y el modernismo: Open Preview See a Problem?

El Rosario de Eros

Print agustinj article Print all entries for this topic Cite this article. Renan Virginio marked it as to-read Mar 16, In other projects Wikimedia Commons. Michael Lloyd-Billington rated it really liked it Nov 21, Capricious marked it as to-read Dec 16, Lizeth Rodriguez rated it it was ok Mar 01, Learn more about citation styles Citation styles Encyclopedia.


A month after that, Reyes fatally shot Agustini twice delmita the head and afterwards committed suicide. Agustini lived with her parents in Montevideo and spent long rosadio in Buenos Aires. This page was last edited on 22 Decemberat Then, copy and paste the text into your bibliography or works cited list. Date and year link. It is fair to say that her life and her poetry are characterized by contradictory features that deserve much attention.

Erosgod of love, symbolizes eroticism and is the inspiration to Agustini’s poems about carnal pleasures. Their divorce was finalized on June 5, Nov 05, Vhis rated it it was amazing.

Agustini, Delmira (–) |

She is buried in the Central Cemetery of Montevideo. Lists with This Book. This tragic event brought to Agustini’s biography considerable sensationalism, which agustuni colored the critical studies of most literary historians.

She was killed by her former husband, who then killed himself. Goodreads helps you keep track of books you want to read. In her later collections, she developed a more personal style and a voice that departs steadily from the canonical modernist poetics to which she subscribed.

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