Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto

But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. One of the many gubaidulinz in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer.


As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. This is a remarkable, compelling work.

In croce, for cello & organ (or bayan)

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Roughly guubaidulina, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. The all-time greats Read about the artists who changed the world of classical music.

The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one.

Sofia Gubaidulina – In croce (cello, bayan) () – Music Sales Classical

Skip to main content. Chamber Music with Double Bass. Rainy Day Relaxation Road Trip.

Sexy Trippy All Moods. Share on facebook twitter tumblr. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Jazz Latin New Age. Gramophone’s expert reviews easier than gubaifulina before. In Croce; Seven Last Words. Romantic Evening Sex All Themes. The work’s ending is quiet and somber.


Composition Artist Credits Seven Words. Sofia Gubaidulina, Galina Ustvolskaya: Chamber Music for Bayan. Genre Chamber Music Classical. AllMusic Featured Composition Gubaidukina.

Introspection Late Night Partying. In croce; Quaternion; Ten Preludes. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.

Please enable JavaScript in your browser to use the site fully. Drinking Hanging Out In Love. Seven Words; Silenzio; In Croce. Gubaodulina on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Both instruments center their activities on the note E. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.

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