SOR JUANA – Loa Para El Auto Sacramental de El Divino Narciso. Cargado por Verónica Russo. Loa para el auto sacramental de El divino Narciso. Sor Juana. Primero, for example, titled simply Loa al virrey, is followed by the directions . for El divino Narciso Sor Juana alludes to the moral issue of the justa guerra and. Analysis of El Divino Narciso. Sor Juana Ines de la Cruz (Sister Juana Ines of the Cross) published El Divino Narciso (The Divine Narcissus) in Mexico in

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In the Jewish temple, a veil separates the worshippers from the covenant ark. The Review of Communication 2. In figuring Christ as Juaba, Sor Juana follows an established strategy.

The work is considered a loaa short theatrical piece related to the longer auto sacramental. Occident and America are startled by the challenge, but disregard her message and view her as crazy and confused.

Naeciso play was first published in She demands that Occident and America abandon their idol worship and follow the true doctrine.

The majority of the loa centers on freedom of choice for the native inhabitants in opposition of the Spanish conquistadors. The Spiritual Conquest narcios Mexico.

Zeal also endorses this change of reference because Zeal personifies the Hebraic deity who was willing to commit genocide against idolaters.


Confronting persecution, some Jews pretended to convert to Catholicism in an attempt to hide their continuing secret adherence to Judaism.

Remember me on this computer. Pauline allegory posits a set of binary oppositions outer literal letter versus inner figural meaning, flesh versus spirit, sin versus grace, death versus life to which European tradition added another: By his side is America, an Aztec woman of poised self-possession. The character Zeal a Spanish captain stands up to Occident and America and tells them that God will not permit them to continue their crimes and that he has been sent by God to punish them.

InIsabella the First ordered all Jews expelled from Spain.

Log In Sign Up. Occident surrenders to Religion due to force. Armed coercion echoed theological persuasion: Like Moors and Jews in Spain, indigenous idolaters appeared in New World Corpus Christi celebrations as the festive opponents over whom Christ triumphs.

Two thousand believers offer sacrifices. That is, Sor Juana deploys the allegorical procedures by which Paul works with the Hebrew scriptures.

Loa to Divine Narcissus – Wikipedia

The Inquisition defined marranos as heretics who, if discovered, must choose between conversion and immolation. In Spanish, a cifra is the symbol for zero, a secret or occult manner of writing, or a monogram engraved on a seal or stamped on stationary.

Both the loa and the auto sacramental of El Divino Narciso are highly allegorical. The Divine Narcissus is ambiguous not only because the Spanish do not openly explain their objectives to the native population, but also because the story presupposes the success of evangelization in Mexico.


Religion represents Catholic practice in Jjana. Inka Bodies and the Body of Christ: Paul allegorizes the veil as marking our subjection to law Torahwhich, only disclosing sin, blocks our access to God.

A complex allegorical reference masks as a phenomenal cognition. Occident represents the dream of fulfillment; he is seen narxiso the top of the monarchy of the native inhabitants. Help Center Find new research papers in: A participant in the debate appealed to the relation between genocide and idolatry in scripture: Jews in Latin America.

Loa Al Auto Sacramental Del Divino Narciso Sor Juana Ines De La Cruz

Skip to main content. Religion, Art, and Feminism. Remedos are imitations, copies, or mockeries. Religion plans on performing it in the crown city of Madridthe royal seat of her Catholic kings.

Religion refuses to believe that they all worship the same God. Unlike God, the idols cannot give life. Religion responds with complete disregard and America responds that there is only one God.

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